The Washington Post
MORE INFO“Willoughby’s still photographs capture the soul of the performance and the director’s vision of Rosemary.”
GQ Italia
MORE INFO“Rosemary’s Baby: il vero, terrificante dietro le quinte”
Variety
MORE INFO“Levin’s book and Polanski’s film opened the door for works like “The Exorcist,” “The Omen,” the novels of Stephen King and Anne Rice, and eventually Jordan Peele’s “Get Out.””
Flashbak
MORE INFO“There was never a dull moment,” says set photographer Bob Willoughby.”
HWD - Vanity Fair
MORE INFO“Fifty years later, the hard truths, feminist overtones, and inescapable demons embedded in the 1968 cult film are more relevant than ever before.”
Hunger TV
MORE INFO“Candidly capturing the actors when natural and presenting them in character, Willoughby’s work is a cinematic rarity: showing us what goes on behind that silver screen.”
AnOther Magazine
MORE INFO“It’s long been considered a classic, but the film’s production was a horror story all of its own, a new book reveals.”
The Telegraph
MORE INFO“The now-iconic film and the Ira Levin novel that inspired it winched down the horror drawbridge, and sent the genre’s demons scuttling out into the real world.”