“Willoughby’s still photographs capture the soul of the performance and the director’s vision of Rosemary.”

“Rosemary’s Baby: il vero, terrificante dietro le quinte”

“Levin’s book and Polanski’s film opened the door for works like “The Exorcist,” “The Omen,” the novels of Stephen King and Anne Rice, and eventually Jordan Peele’s “Get Out.””

“There was never a dull moment,” says set photographer Bob Willoughby.”

“Fifty years later, the hard truths, feminist overtones, and inescapable demons embedded in the 1968 cult film are more relevant than ever before.”

“Candidly capturing the actors when natural and presenting them in character, Willoughby’s work is a cinematic rarity: showing us what goes on behind that silver screen.”

“It’s long been considered a classic, but the film’s production was a horror story all of its own, a new book reveals.”

“The now-iconic film and the Ira Levin novel that inspired it winched down the horror drawbridge, and sent the genre’s demons scuttling out into the real world.”