From late-night loft parties to crowded poetry readings, a new book featuring previously unseen work from photographer Burt Glinn depicts the era in all of its glory.
“There’s no point writing about the beat generation – saying Allen Ginsberg was this, Jack Kerouac was that – because so much has been written about it,” Nourmand explains.
“But with these photos, when you look at them, they look unreal. You never see the Beat Generation like this. To find an incredible body of work that has never really been published – an archive that is absolutely mind-boggling – it’s been the most exciting discovery for me.”
The previously unseen work makes up The Beat Scene, a collection of images that illustrate the eponymous movement between 1957 and 1960. Featuring late-night loft parties, crowded poetry readings and some of the era’s foremost figures in their natural habitat, Glinn’s photos depict the era’s pinnacle first-hand.
“His photos give you a window of what the Beats were really like,” Nourmand adds. “There is just so much going on here.”
For Glinn, who died in 2008 at the age of 82, the project correlates with his emergence as a photographer. Along with his work on the Cuban Revolution, the Beats provided the former Magnum president with one of his breakthrough assignments.
With The Beat Scene, not only does the work offer a portrait of the Beats in all of their glory, but of a photographer who would soon go on to establish himself as one of the leading names of his generation.
“Burt – from what I gather from speaking to people about him and looking at the archive – he was just one of these guys who absolutely lived and breathed photography.”